How Game of Thrones uses costumes to show power

Game of Thrones: Power of Costume

With what might be one of the most iconic show created, Game of  Thrones has officially ended, weaving together 8 seasons of epic twists and turns.

 One of the most wonderful thing about the shows was their attention to detail, whether noticed by audiences or not. With focus on their costumes and jewellery that reflect and enhance character their plot lines. 

In season 2 when Daenerys had gone to Qarth, to seek alliances she still had relatively little power over the Lord's but she had 3 baby dragons and that potentially made her powerful.

Daenerys Targaryen Qarth Dress

Her clothing here is delicate, flowing and luxurious appropriate to the region, it has an intricate and delicate metal bodice and shoulders, This look emphasises the position of  her character at the time, who was still seeking power and had the potential for great power but also showing  the delicate nature of her position, power and her self.

We see this same look shift dramatically after she gains power, conquering more territory with her now grown dragons.

Her clothing takes on more a sculptural look, defined by armor like quality, it's high shoulders and neckline emphasize that she trying to guard herself.

Daenerys Season 8

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Silver, Perspex and other plastic

The pin with more dimensionality

The pin

Resin and Enamel Paint

Resin and Enamel paint

Resin perhaps?

Developing an ear cuff from sketch

Silver Pin Prototype

AnneMarie Pin

A previous ear cuff prototype

Prototype piece from 2018 Anglo Platinum.

Platinum, prototype.

You are the universe

Space

Fluid

Teal

Steam

Inspiration can come from anywhere. I like this style of illustration, it reminds me of Steven Universe. A charming show with a rich mythology that will leave you in bittersweet tears. It follows the story of a young boy and his life with inter dimensional  gemstones.

Steven Universe

light reading

Process platinum

Jewellery in Horizon-Zero Dawn

In the video-game,  Horizon Zero Dawn you play as Aloy, a hunter in a world overrun by machines, large robotic creatures that our human hunt for parts. It takes place many generations after a forgotten apocalypse where civilizations were reduced back to a kind of primitive state.

Her jewellery evolves throughout the game as she rises in rank and unlocks more resilient outfits.

Aloy at the start of the game as an outcast before she initiated into the tribe.

Her jewellery is made from found objects like machine parts, plastics, cords, wires and wood. It is also symbolically important as it represents a place in the tribe as hunter as well as reflecting their nomadic values and beliefs

 Aloy after she is initiated into the tribe and takes on her role as a Seeker.

The Nora( her tribe) worship nature as the 'All Mother' they are  very spiritual hunter-gatherers. in their tribe the higher your status or importance the more accessories they seem to have and they just get bigger and bolder.

The nature of excessive and bold jewellery is a common trait in nomadic tribes as it was a means of high status and portable wealth.

Khampa Woman, Tibet.

Rich nomadic Khampas favor precious metal and jewels as a store of wealth because they are easily transported.

Their culture is very conservative about the type of ornaments favored: for thousands of years jewelry made from amber, turquoise and coral have been worn because the stones are believed to hold spiritual power.

Gold and Silver are naturally found in Tibet and carry great social status, with the gold pieces commonly featuring Buddhist designs.

To the Khampa people these pieces have the utmost sentimental value and significance, because they are the physical remnants of generations of their ancestors hard work or success.

Functions of jewellery: Status and Social Identity

Jewellery is a universal form of adornment. Metcalf [1998] regards jewellery as," a body of objects, emanating from almost every known society since the beginning of culture." hence, "one of the most important purposes of jewellery, is to mark social identity and status...to either distinguish or merge the wearer with social groupings" as he would describe it.

Hairnet, Front Medallion., bearing a bust of Aphrodite, Goddess of Love.

This golden  hairnet is said to originate from a wealthy family of  the Ptolemaic Dynasty of Hellenistic Egypt. Certain elements of the hairnet's decoration seem to have had a close connection to the Ptolemies, the ruling family of Hellenistic Egypt. Aphrodite was considered the divine equivalent of many Ptolemaic queens.

 In her book (Style and Function in Roman Decoration) Ellen Swift addresses the function of  jewellery in the Roman Era. She describes jewellery, especially precious metal jewellery as being regarded as the female equivalent of the male symbols of office,  an important element in manifesting a women's feminine, elite status.

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Her jewellery symbolised her identity as Egyptian Queen and the belief that she was the embodiment of the Goddess Isis

 Gold as we know it, is a timeless extremely precious material,  as it doesn't degraded or oxidize over time, it's a perfect conduct of electricity and it's the best reflector of red light as it is currently being used on the latest NASA space telescope.

Details on Hairnet, Small Pendant.

Swift explains that, "A high status for females as well as males, was partly constructed through materials like precious and semi precious metals and stones.

Elite status could be amplified or represented through the use of intricate decorative pattern and labour-intensive, highly skilled decorative techniques."

Swift suggests that, "such designs impress through an awareness, on part of the viewer, of the difficulty with which they are achieved. A plain gold piece, without gems, could be worn by anyone, decoration thus becomes a way to differentiate oneself from others who may access to elite materials yet are not accepted members of the elite, and to reinforce the separation between the elite an those of lesser status."

       

Why Art Thrives at Burning Man

One can always be a Unicorn.

In her TED talk, Nora Atkinson explains Why art thrives at Burning Man.

There has been 30 years of Burning Man, with it's  origins in early anarchist years. Atkinson describes it today as an experiment in collective dreaming.  Every year around August thousands of people for a single week power down their tech and pilgrimage out into the Black Rock, Nevada Desert.

Participants at Burning Man, i guess the theme is simply, expression.

Their purpose?

To build and anti-consumerist society outside the bounds of their everyday lives.

The entire encampment of Burning Man can be thought of as one giant interactive art installation driven by the participation of everyone in it.

What set it aside from commercial art work is that anyone who makes work can show it.

None are sold there. At the end of the week if the works aren't burned, artists have to cart them back out and store them. It's a labour of love.

Created by Alexander Milov 2015, signifying external conflict and internal need

Burning Man 2018

It's about redefining arts value by the emotional connection it creates between the artist and the audience, or the benefits it gives our society, or the fulfillment it gives the artist themselves.

These are also the questions that contemporary jewellery asks, The VGCJ explains contemporary jewellery as that," which can be described as contemporary not merely because of its recent date, but because of its engagement with a diverse range of contemporary social, environmental, technical or artistic trends."

Any piece of jewellery we create is contemporary because it is made today and it can fall within one or more of these terms, it's not something that is exact, like everything in the universe it can flow together.

Nothing is true, everything is permitted.

Functions of Jewellery: Personal Decoration

Jewellery has always been used to decorate the human figure. Providing visual accents, colour, contrast and texture as well as to focus attention to specific parts of the body.

Metcalf (1998) describes it as," a compositional device in the layout of the human form." He suggests that our urge to decorate satisfies a psychological and social purpose, a great ability that jewellery has to enhance self image and alter social perceptions.[1] It gives us a vehicle to express our selves, jewellery is objectively something small but more often than not encompassing big meaning.

I find that people are most themselves when they don't have to be themselves, one mask comes off and another comes on.

Conventions like Comic Con and festivals like Burning Man allow for an explosion of creative expression from people.

[Fig 1] Participant at Burning Man Festival 2018

[Fig 2] Participant at Burning Man

The outfits that the participants put together are inspired from a variety of cultures, influences and found objects, it perfectly reflects the beautiful complexity of our identity that we each have. It's complex concept, we are complex, people more often than not want to identify with more than one thing, it's the idea of mosaic identity and we owe it to ourselves to recognise and acknowledge the nodes that make up us.

Polymer Clay Bangles. Clay Cloud Creations, Comic Con 2018

Polymer Clay; Light switch covers, containers, pens and hand mirrors. Clay Cloud Creations, Comic Con 2018

References

1. https://www.brucemetcalf.com/on-the-nature-of-jewelry-part-1(Accessed March 2018)

Fig 1 - https://za.pinterest.com/pin/592575263446643833/ (Accessed March 2018)
Fig 2 - https://www.instagram.com/p/Bk6er2dhRIF/?utm_source=ig_share_sheet&igshid=1ddiluw2myxdm (Accessed March 2018)

The Functions of Jewellery

Jewellery can be described as ornamentation of the figure that has been given meaning. These meanings can be characterized to form some of the functions of jewellery, in his essasy, On the nature of jewellery, Bruce Metcalf describes jewellery by its physical, social and psychological ability to touch people. Jewellery has many functions, some of these functions are; personal decoration, social status and spiritual mediation.

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These functions stem of each other. On Cleopatra one could see how these characterisations can be entertwined. As one of the wealthiest woman in Egpyt, she could afford elaborate jewellery simply to decorate herself with, but this was also a symbol of her position as Egyptian Queen and her identity as the embodiment of the Goddess Isis. If her position or life were compromised she could easily flee with the investment of jewellery on her and start safely anew.